{"id":263,"date":"2025-01-08T10:49:08","date_gmt":"2025-01-08T10:49:08","guid":{"rendered":"https:\/\/symfony.kauffmann-sculpteur.com\/?page_id=263"},"modified":"2025-02-20T16:07:48","modified_gmt":"2025-02-20T16:07:48","slug":"accueil","status":"publish","type":"page","link":"https:\/\/kauffmann-sculpteur.com\/en\/","title":{"rendered":"Home"},"content":{"rendered":"
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Pierre KFF Sculptor :<\/p>\n\n

Ornement \u2013<\/p>\n\n

Statuary \u2013<\/p>\n\n

Portrait maker<\/p>\n\n

Materials : <\/p>\n\n

Wood \u2013<\/p>\n\n

Stone \u2013<\/p>\n\n

Marble \u2013<\/p>\n\n

Ceramic \u2013<\/p>\n\n

Bronz -<\/p>\n\n

Ivory<\/p>\n\n

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Pierre KFF Sculptor :<\/p>\n\n

Ornement \u2013<\/p>\n\n

Statuary \u2013<\/p>\n\n

Portrait maker<\/p>\n\n

Materials : <\/p>\n\n

Wood \u2013<\/p>\n\n

Stone \u2013<\/p>\n\n

Marble \u2013<\/p>\n\n

Ceramic \u2013<\/p>\n\n

Bronz -<\/p>\n\n

Ivory<\/p>\n\n

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Pierre KFF Sculptor :<\/p>\n\n

Ornement \u2013<\/p>\n\n

Statuary \u2013<\/p>\n\n

Portrait maker<\/p>\n\n

Materials : <\/p>\n\n

Wood \u2013<\/p>\n\n

Stone \u2013<\/p>\n\n

Marble \u2013<\/p>\n\n

Ceramic \u2013<\/p>\n\n

Bronz -<\/p>\n\n

Ivory<\/p>\n\n

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Expression work<\/p>\n <\/div>\n\n

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This is a concept or a definition which is properly mine. I felt as necessary to point up the top of the artist\u2019s \npractices which can be truly found in true research under that name \u201cExpression\u2019s Work\u201d.This situates\n the artist as a sleepwalker on the string of the art history.<\/p>\n<\/div>\n <\/div>\n\n

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Portraits and busts<\/p>\n <\/div>\n\n

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Working as portrait maker is a very far-out exercise and it seems to me as a reverence to the model. Beyond the morphological and psychological studies, it\u2019s the empathy with the subject which makes the artwork welcome.\n\nThe three dimensions of the sculpture allows an infinity of view edges which bids an always new frequentation of the artwork piece with a presence always revived.<\/p>\n<\/div>\n <\/div>\n\n

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CREATION - ORDERS \u2013 COMPOSITION\u2019S WORK<\/p>\n <\/div>\n\n

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Creation isn\u2019t always as a white page !\u2026\n\nIt starts often from a question, which causes incidentals, and so on, you need to invent to get trough ; It doesn\u2019t mean to escape of these constraints, but, to used it for delighting the reality of the art work.\n\nThe idea of commission joins the felling of what is described above, with this small difference that the requirements come from outside : either from the commissioner or whether the place of destination.\n\nThe composition\u2019s work is similar, in the sense where the constraints will be for example the styles with their grammars and vocabularies or the kind as for example the puppet<\/p>\n<\/div>\n <\/div>\n\n

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Restoration work<\/p>\n <\/div>\n\n

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The artwork's restoration is a duty to ours peers ; the time is abolished and allow the dialogue with them : \nthis let me think to the great French philosopher of XVIth. century Michel de Montaigne in his tower which \ncounted about 3.000 books (one of greatest library of this time), and how he was in the intimacy of the \nphilosophers of the high and low antiquity.\nNota : The several examples I'm showing here are not exhaustive, they have an example value (I have \n wished better to show works done in 1979 to 1981 when I was working for the State Heritage (Monuments \n -Historiques) where I was entrusted to do important missions ; my remembering are strong, but I have lost \nthe pictures.<\/p>\n<\/div>\n <\/div>\n\n

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